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Choral Society of Durham
 
 

 

Milestones and Honors

Mission

Artistic Staff

Funding

Governance

History

Choral Society of Durham
 

Founded in 1949, the Choral Society of Durham (North Carolina) has a long-standing reputation for excellence in performing great choral literature with professional orchestra and regionally and nationally known soloists. We also engage in outreach to music students in area public schools. Our 32-voice Chamber Choir, often featured in portions of Choral Society concerts, also presents its own concerts and makes guest appearances in the community.

Our Christmas concerts feature classical works for the season and arrangements of traditional carols. Our spring concerts and our collaborations with the North Carolina Symphony have featured such choral masterworks as the Requiems of Mozart, Brahms, Verdi, Berlioz, and Fauré, Bach’s B-Minor Mass and St. Matthew Passion, Haydn’s Creation and Mass in Time of War, Beethoven’s Missa Solemnis, Mendelssohn’s Elijah, Rachmaninoff’s All-Night Vigil (Vespers), Bloch’s Avodath Hakodesh (Sacred Service), Vaughan Williams’s Dona Nobis Pacem, Janácek’s Glagolitic Mass, and Glass’s Itaipú.

We rehearse on Monday evenings from 7:30 to 9:45 at the Durham Arts Council Building, from September to May. Auditions are held in September and January.


Milestones and Honors

On May 9, 1999, the Choral Society presented the world premieres of two choral works. One was Daniel Gawthrop’s Call Me Thine: Four Modern Psalms, for chorus and orchestra, which we commissioned to celebrate the 50th anniversary of the Choral Society’s founding. The commission was made possible in part by a grant from the North Carolina Arts Council and donations from our Golden Anniversary Friends. The second premiere was At a Solemn Music, the winning entry in our first-ever Young Composers’ Competition, written by Antony John, then a graduate student in composition at Duke University.

Conductor Rodney Wynkoop and the Choral Society were honored in 1996 as the only community chorus chosen to perform at the Southern Division convention of the American Choral Directors Association, on March 2, in Norfolk, Virginia. Our program included three movements of Rachmaninoff’s All-Night Vigil (Vespers), sung in Old Church Slavonic; Verdi’s Ave Maria, from Four Sacred Pieces; the Libera Me from Verdi’s Requiem, with Monique McDonald as soprano soloist; and Slavsya, from Glinka’s A Life for the Tsar.

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Mission

To bring together persons who share a common interest in high-quality performance of significant choral literature, both sacred and secular.

To ally our musical experiences with the cultural development and enrichment of our community through concert appearances.

To establish and maintain a standard of excellence in performance of choral music.

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Artistic Staff

In addition to conductor and artistic director Rodney Wynkoop, our artistic staff includes accompanist Jane Lynch and assistant to the conductor Michael L. Meyer.

Jane Lynch has served as rehearsal accompanist for the Choral Society since 1981. A Durham resident, she is organist and choir director at St. Luke’s Episcopal Church, in Durham, and teaches piano and organ privately. Ms. Lynch earned her bachelor’s and master’s degrees in organ perfomance from Oberlin Conservatory and Northwestern Conservatory, respectively. She was formerly Associate Chapel Organist at Duke University Chapel.

Michael L. Meyer has served the Choral Society as assistant to the conductor since 2002. A Durham resident, he is Director of Upper School Music at Durham Academy. Mr. Meyer received his bachelor’s and master’s degrees in music education from the University of North Carolina at Chapel Hill and the University of Cincinnati College-Conservatory of Music, respectively. He previously worked as a public school music educator and choral conductor in New York and at Chapel Hill High School, and he has worked as an arranger, orchestrator, accompanist, and music engraver with organizations both regional and nationwide.

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Funding

A nonprofit corporation, the Choral Society receives funding through the following sources:

  • ticket revenues
  • Friends donations
  • grants
  • CD sales
  • membership dues

The Choral Society is a funded affiliate of the Durham Arts Council, which currently provides about 3% of our budget, plus office and rehearsal space in the Arts Council Building.

Our concerts are made possible in part through gifts to the Durham Arts Council United Arts Fund and support from the City of Durham, which believes that a great nation deserves great art.

Please help support live performance of great choral music —
become a Friend of the Choral Society.

You also can support us by joining iGive.com and naming the Choral Society as your cause. Over 400 participating merchants will donate a percentage of your on-line purchases to us, and you get a tax deduction. For more info, click here.

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Governance

The Choral Society is operated by a Board of Governors elected annually from the membership. Board members are volunteers who serve as the executive and administrative staff of the Society. Click here for contact information for key Choral Society personnel.

Choral Society of Durham Board of Governors, 2007–08

President — Kristen Blackman
Vice President — Dan Gunselman
Secretary — Celia Grasty Lata
Treasurer — Lynn Wilson
Historian — Nan Dickman
Policy and Planning — Chris LeGrand

Financial Oversight — Gwen Lamb
Financial Development — Jeff Clark
Membership — Susan Van Eyck
Publicity — Pati Darak Barrow
Concerts — David Stuntz
Programs — Susan Dakin
Tickets — Eileen Duryea
At Large — Laura Jones
At Large — Andy Stewart
Conductor — Rodney Wynkoop

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History

The Choral Society was founded in 1949 by Jane Watkins Sullivan and Marian Wallace Smith, two Durham housewives and musicians who were tired of commuting to Raleigh to sing in the Raleigh Oratorio society. First organized as the Durham Oratorio Society, the group incorporated in 1951 as the Durham Civic Choral Society. We simplified our name to Choral Society of Durham in 1997.

We owe much of our success to the outstanding conductors we have had over the years. These four of our past conductors had the longest tenures:

Allan H. Bone (Duke University), 1949–56, 1967–70, 1971–72
Paul R. Bryan (Duke University), 1957–67
Robert Porco (UNC at Chapel Hill), 1972–80
Larry Cook (UNC at Chapel Hill), 1982–86

Concert List (PDF) Click this link for a list of every Choral Society concert, from 1949–50 to 2005, in PDF format (viewable with Adobe Acrobat Reader 3.0 or later). The list will open in a new window.

Past Board Members — Click these links for lists of all past members of the Choral Society Board of Governors (of whom we could find records), from 1949–50 to 2004–05, in PDF format (viewable with Adobe Acrobat Reader 3.0 or later). Each list will open in a new window:

Board, Part I (PDF) — President, VP, Secretary, Treasurer, Historian, Librarian

Board, Part II (PDF) — Membership, Publicity, Concerts, Receptions (Social), Finance, Development

Board, Part III (PDF) — Tickets, At Large, Programs, Policy and Planning, Friends

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